Date: 12th April 2014
Nova has captured a beautiful moment of us, 4 at the courtyard of St Charles's Church |
Vienna is the seat of the Roman
Catholic Archdiocese of Austria; its current Archbishop is Cardinal Christoph
Schonborn. According to the 2001 census, 49.2% of Viennese are Roman Catholics,
while 25.7% are of no religion, 7.8% are Muslim, 6.0% are members of an
Orthodox denomination, 4.7% are Protestant (mostly Lutheran), 0.5% are Jewish,
and the balance 6.3% are unregistered.
Beautiful building and advertisement flyer in Karlplatz |
Many Roman Catholic churches in
central Vienna feature performances of religious or other music, including
masses sung to classical music and organ. Some of Vienna's most significant
historical buildings are Roman Catholic churches, including the St. Stephen's
Cathedral (Stephansdom), Karlskirche,
Peterskirche, and the Votivkirche.
The proportion of Viennese who were
identifying as Roman Catholic has dropped over the last 50 years, from 90% in
1961 to 39.8% in 2010. Surprisingly, on the banks of the Danube, there is a
Buddhist Peace Pagoda, built in 1983 by the monks and nuns of Nipponzan
Myohoji.
Karlskirche (St. Charles's
Church) is a baroque church located on the south side of Karlsplatz in Vienna,
Austria. Widely considered as the most outstanding baroque church in Vienna, as
well as one of the city's greatest buildings, Karlskirche is dedicated to Saint
Charles Borromeo, one of the great reformers of the 16th century.
The Church is located on the edge
of the Innere Stadt, approximately 200 meters outside the Ringstraße. Karlskirche contains a dome in the form of an elongated ellipsoid. Since
Karlsplatz was restored as an ensemble in the late 1980s, Karlskirche has
garnered fame due to its dome and its two flanking columns of bas-reliefs, as
well as its role as an architectural counterweight to the buildings of the
Musikverein and of the Vienna University of Technology. The church is cared for
by a religious order, the Knights of the Cross with the Red Star, and has long
been the parish church as well as the seat of the Catholic student ministry of
the Vienna University of Technology.
In 1713, one year after the last
great plague epidemic, Charles VI, Holy Roman Emperor, pledged to build a
church for his namesake patron saint, Charles Borromeo, who was revered as a
healer for plague sufferers. An architectural competition was announced, in
which Johann Bernhard Fischer von Erlach prevailed over, among others,
Ferdinando Galli-Bibiena and Johann Lukas von Hildebrandt. Construction began
in 1716 under the supervision of Anton Erhard Martinelli. After J.B. Fischer's (the
architect) death in 1723, his son, Joseph Emanuel Fischer von Erlach, completed
the construction in 1737 using partially altered plans. The church originally
possessed a direct line of sight to the Hofburg and was also, until 1918, the
imperial patron parish church.
As a creator of historic
architecture, the elder Fischer von Erlach united the most diverse of elements.
The façade in the center, which leads to the porch, corresponds to a Greek
temple portico. The neighboring two columns, crafted by Lorenzo Mattielli,
found a model in Trajan's Column in Rome. Next to those, two tower pavilions
extend out and show the influence of the Roman baroque (Bernini and Borromini).
Above the entrance, a dome rises up above a high drum, which the younger J.E.
Fischer shortened and partly altered. Our group did not had any of insight
views of the church as we have list of places to go to. Nevertheless, to share
the history facts of the church would not neab any harms, its part of the
education.
The attic is one of the elements
which the younger Fischer introduced. The columns display scenes from the life
of Charles Borromeo in a spiral relief and are intended to recall the two columns,
Boaz and Jachim, which stood in front of the Temple at Jerusalem. They also
recall the Pillars of Hercules and act as symbols of imperial power. The
entrance is flanked by angels from the Old and New Testaments. It’s interior,
above all in the dome fresco by Johann Michael Rottmayr of Salzburg and Gaetano
Fanti, which displays an intercession of Charles Borromeo, supported by the
Virgin Mary. Surrounding this scene are the cardinal virtues. The frescos in a
number of side chapels are attributed to Daniel Gran.
The large round glass window high
above the main altar with the Hebrew Tetragrammaton/Yahweh symbolizes God's
omnipotence (ubiquitous) and simultaneously, through its warm yellow tone,
God's love.
All photos shared in this entry were snapped at
the St Charles’s Church compound. Not to forget, source of information for this
entry is from Wikipedia.
Thanks for reading and visiting my site.
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